K. Tribusana
Was new style batik where the production method of the second process direntas or riningan and most motives - his motive the bend - lungan lanjuran.
This Tribusana batik there is one that is annual and plain.

L. Batik Pangan/Petani

Batik that was made as the interlude of the housewife's activity in the house dikala did not go to the paddy-field or during leisure time.
Usually this batik is rough and awkward as well as not soft.
His motive hereditary in accordance with the area masing -masing and this batik was done unprofessionally because only as the sideline.
To pewarnaan then was included to the merchant.

M. Coletan
Where in a batik cloth pewarnaan in some places used the system colet with brushed and for the immersion only very much except the colour soga, the colour -the other colour used colet.

N. Batik Kemodelan
It was batik - classic batik both that from the Yogya style and Solo, was made with the new composition with pewarnaan Pekalongan and looked modern.
This really popular in Soekarno's time era to make Yogya batik and Solo be increased by the colour.

O. Batik Osdekan
Dalam a batik cloth will emerge one colour would dibatik still continued to be fallen on with the colour still was good that took the form of the young and old colour or the other colour, this made the colour of batik of still more lives and as being baying -the shadow.


P. Batik Modern
Batik that in his process especially in pewarnaan used the new system that usually in the immersion now uses the other system both tu took the form of gradations, the vein of wood and entertained broklat.
The motive -this motive was the new motive that was connected with aesthetics.
This composition of batik freestyle popular in the year era 80 an.


Q. Batik Kontemporer
An unusual batik looked like batik, but still used the process of his production same as making batik.

R. Batik Cap.
Batik that his production used the implement beebentuk the stamp or stamp both that the process coletan and kelira