The kind and the Batik Motive

The kind and the Batik
Motive
Basically, was based on the process of his production batik could be classified as follows:
Firstly, the traditional pattern.
This batik was also known as Tulis Batik.
Made with the dipper contained the night or the liquid candle.
The dipper was a form of cute copper cup with the pipe on the end in the small measurement.
With this dipper the batik artists describe the candle as liquid on a sheet of cloth, usually cloth mori (white).
Further cloth that has been depicted this was carried out pewarnaan.
Dye that was used then nature dye, like the tree mengkudu, soga, indigo, jelawe, wood tingi and many others.
Secondly, at the beginning of the 920 's began to be known stamp batik.
This emergence of kind batik, together with the entry of synthetic textile dye made by China.
The pattern of this kind batik, was made with the stamp dipper, where the dipper that was used has had the shape of the pattern, so as to speed up the process.
Thirdly, was batik printing.
This batik that disinyali often killed the batik craftsmen who still were remaining in various Indonesian corners.
Mentioned printig because this kind batik was printed with the textile machine so as in a manner the quantity of the productivity or the provisions of the number of results batikan to several fold.
Apart from the three production methods above, was gotten also by the production method of other batik, that is Batik sablon (that is batik that his motive was printed with the cliche/hand print) and Batik painting (that is batik that was made without the pattern, but immediately gathered the colour on cloth) .Bahkan currently has had the production method of batik of using the laser beam.
The motive of batik in Indonesia that was enough terebar, was believed in had the philosophical content, in accordance with the place of the production.
Moreover, in several places had the method membatik that must be preceded ritually certain, as reading the spell or fasting first.
Javanese batik personally had the uniqueness in isen-isen or the contents that took the form of the point, the soft line, or the other ornament in the form of the style decorated.
The design of Javanese batik had two basic rules.
First was based on the construction of geometry took the form of boxes, the line diagonal, or the circle with all the developments stilasi.
The two designs of non-geometry like the stem, the flower, the leaves, the bud (the flora), and